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When one of our engineers finished school, he started working with mid-level touring acts as a front-of-house sound engineer. Back in those days, it was all mixing boards, knobs, buttons and wires instead of the neat little interfaces we have on Macbooks today.
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Of all art, music is the most indefinable and the most expressive, the most insubstantial and the most immediate, the most transitory and the most imperishable. Transformed to a dance of electrons along a wire, its ghost lives on.
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With the announcement of the newest member of the KEF product family, the KF92 Subwoofer ($1999.99 USD, available November 8, 2019), we’re upping the game in low frequency response for music and movies.
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Since it was founded in 1961, KEF has remained unapologetically driven by technology. In many ways, the result of this focus on technology has moved the art and fashion of the audio industry forward.
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If you’re looking to ignite a war in an online forum, bring up speaker break-ins or cables. We’re not mentioning much more on cables in this piece, but for those of you who don’t believe in speaker break-ins: we’re going to politely disagree.
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